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| Television, products, etc. | Servie Janssen | VideoArt | 1975 | Netherlands Media Art Institute - Montevideo/Time Based Arts,Nederlands Instituut voor Mediakunst - Montevideo/Time Based Arts |
One by one, a hand places images from magazines in front of the camera lens. The representations evolve: from pages filled with images of ideally athletic men and beautiful women, we move on to unborn babies, childhood innocence, happy mothers, a funeral, a smoking Indian followed by the...more Preview for Television, products, etc. |
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| JUSTE LE TEMPS | Robert Cahen | Fiction | 1983 | Heure Exquise ! |
A landmark for video in the eighties. A fragment from a journey in which metamorphosed landscapes become the actors of a story which, between the lines, tells of the possible meeting between two beings. The limits between the external landscape and the interior of the compartment, between sleep and...morePreview for JUSTE LE TEMPS |
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| Split Seconds of Magnificence | Lydia Schouten | InstallationArt | 1984 | Netherlands Media Art Institute - Montevideo/Time Based Arts,Nederlands Instituut voor Mediakunst - Montevideo/Time Based Arts |
'Split seconds of magnificence' can be seen as a turning point in Schouten's work. In this video, not only does she mostly make use of 'real' people rather than self-constructed stereotypes, but also, the characteristics of the performance have practically disappeared. Moreover, the narrative...morePreview for Split Seconds of Magnificence |
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| The Legible City | Jeffrey Shaw | InteractiveArt | 1990 | Ars Electronica Center |
"The Legible City" is an interactive installation where a user can ride a stationary bicycle through a simulated representation of an city consisting of computer-generated letters. The real architecture is replaced by one consisting of text, that has been conceived as discrete narratives,...morePreview for The Legible City |
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| Zbiralci peska (The sand collectors) | Zemira Alajbegović,Neven Korda | Fiction | 1995 | DIVA |
A story of an art collector as remembered by herself in her old age, and as narrated by her friend, a psychoanalyst. Here also, the rich and multi-layered image presents the story of the individual, combining it with different theoretical reflections on the place of art and artist's mission. Words...morePreview for Zbiralci peska (The sand collectors) |
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| Otolith I | Otolith Group,The Otolith Group | Artwork | 2003 | Argos vzw Centre for Art and Media |
’Earth is out of bounds for us now; it remains a planet accessible only through media’, the viewer is told at the beginning of Otolith, an essay-film that imagines a future in which humankind is confined to outerspace.Through a variety of archival footage – encompassing recent digital news...morePreview for Otolith I |
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| Der Spiegel | Keren Cytter | Fiction | 2007 | Netherlands Media Art Institute - Montevideo/Time Based Arts,Nederlands Instituut voor Mediakunst - Montevideo/Time Based Arts |
With simple means, Keren Cytter stages a Shakespearean drama in a stripped contemporary Berlin apartment. Mortality and decay, in connection with love, are themes of all times. The motif is simple: a 42-year-old woman is confronted by her mirror image with the fact that she’s not sixteen anymore,...morePreview for Der Spiegel |
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| TELEPHONE ARABE | Sabine Massenet | InteractiveArt | 2004 | Heure Exquise ! |
Rules of the game :
1-Separately invite some twenty people.
2-Show an excerpt from a currently showing soap opera to the first person.
3-I film him and record him as he tells me what he has seen.
4-I show his narrative on a TV set to the second person, who himself tells his "story" in...more Preview for TELEPHONE ARABE |
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| Interview with Saskia Holmkvist | Saskia Holmkvist | VideoArt | 2005 | Filmform |
When we see the title Interview with Saskia Holmkvist we expect to see an interview with the artist Saskia Holmkvist but few minutes into the film it is revield to us that the situation is another. Saskia Holmkvist has hired a media relations expert to train her to deliver a short statement about...morePreview for Interview with Saskia Holmkvist |
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